Artists

Le Nymphe di Rheno, Op.8

Le Nymphe di Rheno, Op.8 - Read This First 1702


Author(s): Schenck, Johann
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Her Very First Cake Walk

Her Very First Cake Walk - Complete score 1903


Author(s): Read, Ezra
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A Charabanc Ride

A Charabanc Ride - Complete score 1922


Author(s): Read, Ezra
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Fairy Frolics

Fairy Frolics - Complete score 1902


Author(s): Read, Ezra
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The American Singing Book

The American Singing Book - Complete Score 1785


Author(s): Read, Daniel
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Sea Side

Sea Side - Complete Score 1890


Author(s): Read, Ezra
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The Witches' Meeting

The Witches' Meeting - Complete score 1895


Author(s): Read, Ezra
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Wonderland Waltz

Wonderland Waltz - Complete score 1903


Author(s): Read, Ezra
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Woodland Fairies

Woodland Fairies - Complete score


Author(s): Read, Ezra
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2 Sacred Songs, Op.2

2 Sacred Songs, Op.2 - Complete Score and Parts


Author(s): Read, Angelo
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Cathedral Echoes

Cathedral Echoes - Complete Score 1903


Author(s): Read, Edward Mason
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Meditation

Meditation - Complete Score 1905


Author(s): Read, Edward Mason
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Offertoire in B-flat

Offertoire in B-flat - Complete Score 1902


Author(s): Read, Edward Mason
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Offertoire in A-flat

Offertoire in A-flat - Complete Score 1880


Author(s): Read, Edward Mason
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Offertoire in B-flat

Offertoire in B-flat - Color Cover 1905


Author(s): Read, Edward Mason
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A Brief Account of, and an Introduction to, 8 Lectures in the Science of Music, to be read as soon as 50 subscribers, at 1 Guinea each for the Course, shall have sent their Address for that Purpose; in which are proposed, to be demonstrated and to be explained The Radical Sources of Melody and Harmony, deduced from the Principles of the Philosophy of Sounds, from Arithmetical Calculations, and from Geometrical Divisions in the Construction of Monochords, to ascertain the different Scales of the several Genera of the Greeks and the Moderns; by a clear, a concise, and an intelligible Method, different from what has been attempted before.

A Brief Account of, and an Introduction to, 8 Lectures in the Science of Music, to be read as soon as 50 subscribers, at 1 Guinea each for the Course, shall have sent their Address for that Purpose; in which are proposed, to be demonstrated and to be explained The Radical Sources of Melody and Harmony, deduced from the Principles of the Philosophy of Sounds, from Arithmetical Calculations, and from Geometrical Divisions in the Construction of Monochords, to ascertain the different Scales of the several Genera of the Greeks and the Moderns; by a clear, a concise, and an intelligible Method, different from what has been attempted before. - Complete Book 1781


Author(s): Overend, Marmaduke
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